Review by Christine Mlodzik
Deleter recently released their new EP, “56789,” and it’s very solid. Deleter did a great job of combining an older punk sound with their own sound to create something original. Each of the songs is equally pissed off, yet so damn catchy you won’t be able to get them out of your head. The band describes their sound as: “Skewed but catchy. Straight forward yet obtuse. Angry but thoughtful. Sleeker, simpler and meaner.”
Deleter is Knol Tate (vocals, guitars and keyboards), Travis Collins (bass guitar and vocals), Zach Roth (guitar and atmospherics) and Joshua McKay (drums and percussion).
You’re introduced to Deleter by the first track, “Change Your Fucking Name.” The intro sounds like feedback, but lets you know what you’re in for – it’s raw, intense and loaded with an I-don’t-give-a-fuck-attitude. I couldn’t wait to hear the rest and I wasn’t disappointed. The second track, “Kings and Queens of Sympathy” delivers more of the same.
The vocals on the next two tracks, “Question Our” and “Control_Chaos,” take a more menacing, almost sinister tone. They reminded me of Andrew Eldritch from The Sisters of Mercy. On “Art Fucks Need Fucking” (my favorite title) and “You Are Welcome” the vocals sound like Richard Butler from the Psychedelic Furs’ self-titled debut.
“56789” closes with a bonus track: A cover of Black Flag’s “Greg Ginn Lawsuit Pending.”
Usually, the first song or two sets the tone for the rest of an album or EP, but in this case, that doesn’t really happen. Each track is original to the others, but it’s solid and cohesive. And a rarity: I don’t have just one favorite song from “56789,” I liked each one.
Recommendation: Buy Deleter’s “56789.” This EP kicks ass.
Filed under: Music Review | Tagged: 56789, Deleter, espionage rock, Minneapolis, post punk, Punk | Leave a comment »